Preservation album for engravings of different size. Album closed.

Shell-box custom-made for a book. It is covered by a cotton cloth coated with acrylic. The inside is covered with permanent paper. Seen open without book.

Shell-box custom-made for a book. It is covered by a cotton cloth coated with acrylic. The inside is covered with permanent paper. Seen open with a book.

Shell-box custom-made for a book. It is covered by a cotton cloth coated with acrylic. Seen closed.

View of the inlayed artwork on a light table. We can see that the aperture's cutting follows perfectly the artwork's edges, leaving a millimeter gap. It gives quite a sober and modern look to the mounting.

Artworks inlayed. The aperture is cut with a sclapel, following with meticulous care the artwork's edges. Japanese paper strips are glued astride on the artwork and the mounting paper.

Mounting containing polyester angles, allowing a free view of both sides of the artwork.

Packing in light cardboard, with four flaps, allowing to protect a book. Packing open.

Packing in light cardboard, with four flaps, allowing to protect a book. Packing closed.

Chinese binding of a bundle of documents. This kind of binding is simple and flexible.

Simple mounting in a passe-partout.

Preservation mounting including a beveled edge passe-partout. The artwork is inlayed in a paper of the same weight, and is attached on the passe-partout with japanese paper hinges. Mounting open.

Preservation mounting including a beveled edge passe-partout. The artwork is inlayed in a paper of the same weight, and is attached on the passe-partout with japanese paper hinges. Mounting closed.

Preservation album for prints of different size. Prints are mounted on pieces of paper and organized in order to help compensate their thickness.

Preservation portfolio with three flaps. Seen closed.

Preservation portfolio with three flaps. Seen open.

Preservation portfolio with three flaps. Seen open with the monted artwork in it.

Preservation mounting including a float-mounting and a beveled edges passe-partout.

Preservation mounting including a float-mounting and a beveled edges passe-partout. Passe-partout open.

Preservation mounting including a slot inlay and a beveled edges passe-partout. Japanese paper hinges are glued on the artwork's back and inserted in the slots situated in the thick japanese paper on which the artwork lays. The whole thing is then mounted in a passe-partout. This technique gives the impression that the artwork floats in the passe-partout.